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The Content Control Utility (CCU) API provides a programmatic interface for you to purge edge content. In this version, you can purge by URL, by Content Provider (CP) code, or cache tag.

For users of the legacy Content Control Utility REST API , this API leverages the Fast Purge Utility via Luna authentication. The Luna Control Center provides a graphical interface to the Fast Purge Utility for content administrators.

This guide details the most recent version 3 of the Fast Purge API, which uses Fast Purge versus queue-based processing. For queue-based processing, see the Content Control Utility API v2 .

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The Fast Purge API is a simple API that automates content purge requests. Support for Fast Purge in the current version allows developers and architects to purge edge content by URL, CP code, or cache tag within approximately five seconds.

For more information on content control using TTL (Time to Live) methods, refer to Time to Live (TTL) in Cache: Methods and Considerations .

To get started with this API:

Review the API Introduction section on available tools.

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to create your API access credentials and authorizations. When creating, adding, and naming clients for API access, do so under Fast Purge APIs, not Luna APIs. Note that you can select all CP codes when configuring your API credentials. This means all current and future CP codes on the current contract, not all CP codes on the account.

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or Technical Support, and provide feedback. You can also contact your account representative for support. We want to hear from you!

This section describes the conceptual objects you deal with when interacting with this API, and provides pointers to where you can learn more.

Fast Purge : The Fast Purge utility completes purge requests within approximately five seconds. Fast Purge supports requests to invalidate or delete URLs and CP codes on Akamai Staging and Production networks. It will eventually support all purge methods.

Fast Purge

Invalidation : Content invalidation, or refresh request, is the default purge action in most cases. An invalidation purge action causes Akamai edge servers to send an If-Modified-Since (IMS) request to the origin on subsequent requests for invalidated content. If the timestamp of the object at the origin is more recent than the one in cache, the latter is replaced by the new object from the origin. Otherwise, it is re-validated for the duration of the TTL. If an object does not have a Last-Modified header, a regular GET request is sent to origin.

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Les Liliacees. Paris: Didot Jeune, 1802-1816.

Les Liliacees.

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Pierre-Joseph Redoute is recognized as the most talented botanical artist the world has known. During the late 18th and early 19th centuries he lived in Paris, the cultural and scientific center of Europe. Interest in plant illustration was at its height and his career flourished.

Redoute was from a family of Belgian painters. He was born in 1759, the second of three brothers. He left home when he was thirteen, determined to make a living as an itinerant interior decorator and painter of portraits and religious memorabilia. As he traveled, he studied the paintings of Flemish and Dutch artists. After 10 years, he joined his older brother in Paris and worked with him as a theater set designer.

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Still interested in floral painting, Redoute visited public gardens in Paris to study and sketch the flowers. At the Jardin du Roi, he attracted the attention of botanist Charles Louis L'Heritier du Brutelle. L'Heritier became a mentor to Redoute, taught him the fundamentals of flower structure necessary for botanical illustration, and employed him as an illustrator for his Stirpes Novae (published 1785-1791). Redoute contributed 54 illustrations to this work (Hunt 1958, v.2, cvi) . This was the beginning of Redoute's career.

In 1786, L'Heritier suggested that Redoute accompany him to London. In London Redoute learned the art of stipple engraving and color printing that would give him the technical expertise he needed to produce the beautiful illustrations found in his later works.

Another artist who influenced Redoute was the Dutch artist, Gerard van Spaendonck who had gained a favorable reputation in Paris as a painter and teacher at the Jardin des Plantes. Van Spaendonck perfected the technique of painting with pure water color which Redoute adopted and popularized.

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After Napoleon came to power in France, Redoute was among the staff who worked to realize Josephine Bonaparte's dream of filling the gardens of Malmaison with the rarest plants from around the world. The engravings from Redoute's drawings during the early years of the 19th century are considered to be his best work. His drawings illustrate Etienne Pierre Ventenat's Jardin de Malmaison (1803-04), Aime Bonpland's Description des Plantes Rares Cultivees a Malmaisonet a Navarre (1812-17), Les Liliacees (1802-16) and Les Roses (1817-24). Les Liliacees is considered by some to be his masterpiece.

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